Alejandro Andrade Coello
Tres poetas de la musica; anforas (de Max Henrique Ureña) es un estudio de Alejandro Andrade Coello sobre la influencia de la música en la obra de tres poetas. Publicado originalmente en 1920, este ensayo ofrece una perspectiva única sobre la intersección entre la poesía latinoamericana y la música a principios del siglo XX. El análisis se centra en la obra de Max Henrique Ureña, explorando cómo los ritmos y melodías musicales se manifiestan en su verso. Esta edición es esencial para los interesados en la historia de la literatura latinoamericana y la relación entre las artes.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
